Transmitting · Paris
Journal
Notes on the label's releases, the artists around it, and the sound between categories.
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A Body the System Cannot Read: Eda Er’s Error States of the Body
Ten beatless pieces of polymetric data music. 35 minutes. Forthcoming.
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An Organ Tuned to a Voice: Eda Er’s Soufflerie
Six registrations for organ and voice. 64 minutes, quadraphonic.
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The Tray Is a Mouth: Eda Er’s Mouth of the Marble
Five ritual actions for voice, water and machine. ~25 minutes.
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What Grows from a Glitch: The Glitch Bloom’s Memory Garden
A single for voice, electric guitar and electronics. ~8 minutes, with a film.
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Letters Across a Closed Border: äbädä’s Entre Deux Rivages
Seven pieces for voice, electronics and low brass, composed in correspondence. 38:44.
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Listening and Being Heard: klank.ist ensemble’s V. DİALOGS
Four pieces, one by each member, recorded in Istanbul in 2019. ~34 minutes.
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Four Recordings from a Distance: klank.ist ensemble, 2020
Uzaktan, Lockdown_2, Lockdown_1 and 1.5: the singles that open the catalogue.
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Weather, Not Genre: äbädä’s Unclassifiable Weather
Six improvised tracks for piano, voice, and objects. 35:06, quadraphonic.
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Touch as Sound: Danniel Ribeiro’s palpability
Three solo improvisations from Bahia, 2023. ~24 minutes.
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"I Always Want to Tell Something Through My Music": A Conversation with Eda Er
A conversation with composer, improviser, and one half of äbädä — Eda Er. Interviewed in Berlin, June 2022, around the release of the duo's first album, I Am So Lost In Blue. Re-edited and republished by Nyxphere, 2026.
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The Dark Glow Inside a Bell: Eda Er’s TIERCE
Four pieces for voice and bells. ~13:33.
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A Voice That Won’t Quite Leave the Room: Eda Er’s Presque Rien pour une voix perdue
Quadraphonic electroacoustic compositions for transformed voice, rave remnants, memory fragments, and disappearing architectures. Seven movements, 48:00.
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Techno Made of Things: Eda Er's Danse Acousmatique
A techno album built entirely from recorded objects — no drum machine anywhere on it. Six tracks, 47:44, quadraphonic.
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The Room Remembers: Eda Er's Voice Studies for Empty Rooms
Quadraphonic electroacoustic studies for voice, architecture, resonance, and absence.
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One Take, Eight Greens: Simon Sieger's played through
An hour-long solo piano improvisation, captured in a single uninterrupted take.
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